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Chaos Theory

What my garden is teaching me about life


chaos theory

with Antonina Mamzenko

Hey,

This one is about gardening.

And being an artist. And also life.

Elizabeth Gilbert was right after all: it's all connected.

***

Before I continue, a quick note that Exercises in Words + Pictures returns in September, and enrolment is now open. It's an interactive online workshop to stretch your creative muscles and it's for everyone, not only photographers.

(I'm not doing an elaborate FOMO-inducing launch sequence so if you like the sound of this class, I invite you to sign up as soon as you're able to - it really helps me plan and deliver a better experience for everyone).

***

I take off my gloves. “Enough for today,” I mutter under my breath. I can only dig in short spurts before my back gives in.

As I head towards the house, a robin swoops in the opposite direction. He’s so fast I can’t even see him - it’s all just a flutter of tiny wings right above my head. He’s heading for the patch of soil I’d just been digging.

We developed a friendship, robin and I. Well, at least I’d like to think so. I dig, he picks the critters that I unearth. This reciprocal relationship makes me smile.

***

I first read about gardening in relation to creative life in Elizabeth Gilbert's Big Magic. There, she describes feeling the pull towards growing flowers, trusting that impulse and - by following a random rabbit hole - ending up writing a novel about 19th century botanical explorers.

In Big Magic, Gilbert also references the teachings of Robin Wall Kimmerer, a Potawatomi botanist and author of one of my all time favourite books that changed my relationship with nature and life - Braiding Sweetgrass. I did not remember that until I went looking for garden references just now (I'd read Big Magic about a decade ago... and Braiding Sweetgrass only last year). Funny how things work in a sort of circular way, and sometimes you need to hear the same message from different teachers at different times for it to really sink in.

***

I returned to my garden after a bit of a false start last year. It was a disaster: slugs had eaten all my radishes and salads (twice) before they even had a chance to establish, and by June I’ve basically given up trying.

Growing stuff has never been something I was particularly interested in. It all just seemed so unnecessary when everything you could ever wish for is just a click away at the supermarket. Plus, I manage to kill even cacti so who I am to grow actual food? Also, bugs, ew.

But lately, as my anxiety levels around systems collapse (here’s a link to the UK government’s security assessment, but proceed with caution if you’re new to this conversation) are at all time high, I feel the least I could do is learn how to grow my own food (while recognising there’s no way one person can meet all their food needs from a small garden) - and also learn how to support a local ecosystem, putting just a little dent into the gears of the death machine that is taking us right to the edge of the cliff.

Side note 1: Did you know, that the combined size of UK's private gardens is larger than that of all the UK's nature reserves? If we all started re-wilding them, imagine what could happen?

Side note 2: Ever wonder where our obsession with immaculate grass lawns comes from?

So, this year I returned to my garden with renewed determination. I’ve spent the winter months binge-watching gardening videos on YouTube and learning all I can about companion planting and getting inspired by other people's food forests. Raised beds were built, soil and compost bought, seeds ordered. I enjoyed working in my garden way more than I enjoyed doing anything else - even photography.

I learned a bunch of stuff. Like the fact that trees can come on different rootstocks and that affects how tall they'll grow. That different plants like different soil conditions (duh). That some seeds you need to plant on the surface, and others bury in the soil. That some plants need a lot of care and others thrive on a bit of neglect.

Some unexpected stuff: If you leave radish or rocket in the ground and let it "bolt" it turns into a rather tall and pretty flower that butterflies and bees love.

Or: sometimes cool stuff grows even if you didn't plant it. And that if you leave bugs that eat your plants be, eventually other bugs that eat those bugs will also appear, so most things balance themselves out.

And: plants thrive together, not in neat separate rows. My favourite garden bed right now combines bolted radish, self-seeded chamomile, cucumbers (the thing I did plant) and potato that decided to grow from some veg peels I filled the bottom of the bed with. Even through the crazy heatwave: plants shade and support each other, cucumber is using radish to climb instead of the lovely sticks I provided - and it's all spilling out and bees and butterflies are there all day, and it's not traditionally neat and pretty and I love it.

What does it have to do with living a creative life, you ask?

Well I don't know about you but I've been struggling lately with how to continue being an artist, and earn a living through my creativity in these times of collapse. I'm constantly second-guessing myself, convincing myself that what I have to offer isn't needed. Or if needed, it's not remotely enough and will never be enough, no matter how hard I try.

What this year of gardening by experiment and sticking things into the ground and seeing what happens taught me is that it's not true. That every contribution, however small, counts. That everything has it's place in a healthy ecosystem. That I could be the cucumber meant to be eaten, or I could be the bolted radish that supports it and attracts bees so that more cucumbers can grow.

Tending to my garden taught me that I can, indeed, do hard things, even when the scope of work seems enormous and the to-do list never ends. It's teaching me perseverance, and not expecting instant results. It's teaching me that progress is not linear, it's cyclical, just like the life-cycle of plants.

It reminded me how to be a complete dummy beginner again. It's thrilling. Everything is new and exciting, the possibilities are endless and making stupid mistakes is just part of learning to do better.

It’s teaching me to let go and not expect a particular result. Because some things just don’t grow where you want them to (they just need a different spot, more sun, or more shade, or not bordering the fence where your neighbour sprays weedkiller all the freaking time).

Sometimes things don’t grow at all.

It doesn’t mean you stop trying.

It doesn't meant you stop watering the garden and sticking things into the ground.

Antonina x

Who is sending you this email?

Hey, I'm Antonina Mamzenko. I’m a photographer. An artist. An educator. A storyteller. And an imperfect, multi-passionate human. I do a lot of things - including teaching workshops and mentoring, and telling stories with my words and photographs - but at the core of it all is my insatiable curiosity about the world, and care for people and planet.

You also might be interested in:

One-to-one mentoring: I'm experimenting with a new, quarterly one-to-one mentoring option with fortnightly calls and in-between support via email or messenger. Perfect for you if you need ongoing support with a personal project, developing your photographic skills through a custom-designed programme, launching a new offering, or having a thought & accountability partner in whatever creative endeavour you are undertaking. From now and until the end of the year I have 5 spots available at an introductory price. If that sounds like something that would be useful for you and you'd like to know more, hit reply and we'll chat.

Family Photography: This year might be the last I'm offering my signature Adventure Sessions, and my availability is very limited. If you're overdue one for your family, it may be a good idea to pencil in a date now. Hit reply to this email and let's chat. Unconventional Family Portraits are also available for those local(ish) to me. If we've worked together before I may be open to travelling a bit further afield for those, so ping me a message.

Want to leave me a tip to support my writing? Here's my tip jar.

Antonina Mamzenko, A secret location, Surrey KT8 9AU
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Chaos Theory

This newsletter is for artists. For storytellers. For lateral thinkers. For multi-hyphenates. For chaos goblins. For the square pegs. For those who refuse to follow a trodden path. Those who feel everything so, so deeply. For those who are still working things out. Expect weekly-ish journeys down various rabbit holes and getting inspired by the unexpected.

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